Why Did Tom Hanks Move to Greece?

The Greek Prime Minister posted this to his Instagram on Monday:


Tom Hanks and his wife, Rita Wilson, “are now proud Greek citizens!”

Immediately, people on social media began asking questions, because it seems awfully strange that Hanks would just up and leave America at age 64. An apparent answer was found quickly: because in 2012, Greece classified pedophilia as a “disability”:


It’s true:

Now, does that mean pedophilia is legal in Greece? I doubt it. But it’s fair to infer from the 2012 decision to classify pedophiles as disabled that the Greek government definitely takes a more permissive stance towards these monsters. After all, everyone knows how the Ancient Greeks were with that type of thing. . .

I tried searching for Greece’s laws on pedophilia but wasn’t able to find much of anything. But if Tom Hanks is moving Greece, it isn’t to collect disability. Obviously the guy has enough money. An abrupt move out of the country would be to avoid criminal charges, not to go on disability.

What makes this Hanks situation all the more suspicious is the absolute tidal wave of Mainstream Media “Fact Checks” against these Hanks-Greece-Pedophila rumors. A quick Google search of “tom hanks greece pedophilia” makes it clear that Google really, really, really doesn’t want you to believe that there’s any truth to those rumors. You run into a brick wall of “fact checks”:

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Fact check! Fact Check! Fact Check!

The Daily Beast REALLY doesn’t want you to entertain the idea:

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“You sickos” “SEEK HELP”

That headline reeks of desperation.

In recent months, rumors have been flying about a crackdown on Hollywood pedophiles happening behind the scenes, specifically Jimmy Kimmel, Oprah, Ellen Degeneres, Piers Morgan and even Steven Spielberg.


Jimmy Kimmel’s show went on hiatus in June. He said he was going to just “take the summer off” to spend some time with his family. He said he “needs a couple months off.” Okay, that’s strange. Fallon is still on the air. Colbert is still on the air. All of his competitors are still doing their shows. Suspicious.

Stories are coming out about what an utter monster Ellen is–they’re calling her “The Queen of Mean”–presumably to serve as a cover story for her show going off the air. Those are the ones I can remember off the top of my head. I heard about this stuff earlier this month and can’t find the video I watched explaining it all.

There’s rumors that Ellen was doing her show from her house because she was secretly on house arrest and awaiting execution. Oprah, too. I don’t know what to make of it all.

Point is, Hollywood celebs like Tom Hanks don’t deserve the benefit of the doubt here.

Where there’s smoke, there’s usually fire.

Whitepill of the Day

The virus, the riots and the mayhem all prove one thing: the elites are getting desperate.

If their power was secure, none of these drastic actions would be necessary. The elites are waging mass psychological warfare on the American people in the form of months of quarantines and mass terror in the form of riots, and it’s all because they’re afraid.

They need this country divided and on the brink of civil war.

The more desperate they get, the worse the news will tell you things are.

This is their Hail Mary, their kitchen sink, their desperation ploy.

They’re only doing this because they feel threatened. They feel their power and influence slipping away.

Nobody trusts the news anymore. Everyone knows Hollywood is a pedophile-infested cesspool. Everyone knows about the Deep State now. The Uniparty does not control the White House for the first time in decades.

The elites wouldn’t have to orchestrate this horrible chaos if they were solidly in control. It’s a sign of their desperation.

All-Female Terminator Reboot Fails Spectacularly at Box Office, Projected to Lose $120 Million

I don’t really pay attention to Hollywood anymore because nearly every movie they’ve churned out over the past half-decade has been awful, so I don’t know much about this new “Terminator” movie other than that it’s supposed to be an all-female “reboot” of the franchise. Once I heard that was the case I was even less interested in the movie than I otherwise would’ve been for any other new Hollywood release–which is to say already very uninterested.

Apparently Ahhnuld is in the movie, but he’s not the main hero of the story. The heroes of the story are a trio of #Empowered and #Badass women.

However, in a development that anyone with a functioning brain could see coming, this all-female Terminator movie completely bombed at the box office and is now projected to lose Paramount Studios $120 million:

“Sorry for fans of the Terminator franchise, but it may not be back again for a long time. “

Okay, but this is not “the Terminator franchise” anymore. It’s just a film that happens to share the name of the once-proud franchise.

Terminator: Dark Fate opened at the U.S. box office this weekend and the results were nothing shy of abysmal for a massive budget blockbuster. The movie is guaranteed to be a big flop at this point. The only real question is, just how bad is it going to flop? Based on some new industry estimates, the sci-fi sequel could lose $120 million or more during its theatrical run.

According to a new report, Skydance Media, Paramount Pictures and 20th Century Fox stand to lose around $120 million in total, given the long-term prospects of Terminator: Dark Fate bombing at the box office. The movie, directed by Tim Miller (Deadpool) and produced by franchise creator James Cameron, made just $29 million in its domestic debut, which was far below industry estimates, which had it taking in around $40 million. Even that number wasn’t great, but it gave Sarah Connor and the gang a fighting chance.”

Now, will this financial disaster cause Hollywood to stop making all-female “reboots” of popular action franchises?

Of course not. Because the point wasn’t really to make money: the broader goal is to culturally disenfranchise men (specifically white men) by replacing them with with women wherever possible. And I’m not just talking about in movies–I’m talking about in politics, in the boardroom–in basically every high-profile position of power and every high-paying job. (They’re most certainly not trying to move men out of “dirty jobs” like garbage collecting, construction and logging. Only the well-paying white collar jobs.)

The point is to culturally appropriate all male-dominated sectors of society and shift them over to women. Hollywood is doing its part by taking popular movies that in the past starred male actors and “rebooting” them with all-female casts. The Ghostbusters movie (which also bombed), and “Oceans 8” are more examples. You’ve also got Disney shoehorning Captain Marvel in as the Most Badassest and Most Powerful Avenger.

The fact that these all-female “reboots” consistently lose money and yet Hollywood consistently keeps making them should tell you that making money is a secondary concern behind culturally disenfranchising men and re-shaping traditional gender roles in America.

Still, it’s nice to see that Americans are rejecting Hollywood’s forced cultural revolution by not going to see these terrible movies. Thankfully there remains a wide disconnect between the values of the degenerate elite and everyday Americans.

It is Your Patriotic Duty to Make Sure Disney’s Feminist Propaganda Piece Captain Marvel Bombs

You may be wondering why Captain Marvel is a relevant topic on a political blog, and the answer to that is the entertainment industry has become politicized, meaning Captain Marvel is more than just a superhero movie: it’s the latest flash point in the American culture wars.

The latest edition of Entertainment Weekly lays it out clearly; sexism is a major theme in the upcoming movie:

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“Intergalactic odd couple Brie Larson and Samuel L. Jackson return to 1995 to fight aliens, sexism.”

Great. Already we know this movie will push the Female Victimhood Myth and more.

Larson has even said the movie will be “her form of activism” which is just wonderful:

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Wonderful. Lord knows we could use more female celebrities lecturing us about feminism and toxic masculinity!


However, despite the blitz from Disney and the feminists, it appears as of now the good guys are winning. The movie’s roll out has been pretty disastrous thus far.

First there was Larson complaining that her press days were filled with too many white male journalists:

“Ahead of the upcoming release of “Captain Marvel,” actress and star Brie Larson reportedly chose a female journalist who has cerebral palsy to interview her after coming to the realization that her previous press tours had a tendency “to be overwhelmingly white male.”

Journalist Keah Brown, who sat down with Larson, described herself in Thursday’s Marie Claire UK piece as being someone who writes “about pop culture, disability (I have cerebral palsy), blackness and womanhood.”

Brown acknowledged in the article that Larson had “requested” her to conduct the interview, which she said was “game-changing” and “the biggest opportunity I’ve had.” After asking why she was selected, the actress discussed a trend that she’d noticed.

“About a year ago, I started paying attention to what my press days looked like and the critics reviewing movies, and noticed it appeared to be overwhelmingly white male,” Larson said. “So, I spoke to Dr. Stacy Smith at the USC Annenberg Inclusion Initiative, who put together a study to confirm that.”

Brie, I’m gonna let you in on a little-known fact: superhero fans are overwhelmingly white men. Please take a moment to process this bombshell news.

When you think “comic book nerds,” you think of pasty white guys, right? You think of these guys:


But evidently Brie Larson is disappointed they don’t look like this:

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Brie Larson’s dilemma is that she can’t stand white men, but also wants to make a lot of money shoving feminist propaganda down their throats. In typical authoritarian leftist fashion, she reviles the people she simultaneously wants to rule over.

This brainwashed Becky also went a step further:

“In her Crystal Award for Excellence in Film acceptance speech at the Crystal + Lucy Awards Wednesday night, actress Brie Larson cited USC Annenberg’s “Critic’s Choice” study in a call for diversity in entertainment coverage.

She disclosed how, “of the 100 highest-grossing movies in 2017, less than a quarter of the critics were white women, less than ten percent were underrepresented men, and only 2.5 percent were women of color.”

Recognizing that “reviews change lives” and the impact which films are considered for awards season, Larson called for more inclusive representation in the industry. “Am I saying I hate white dudes?” the Oscar-winner asked the room at the Beverly Hilton. “No, I’m not,” she replied.

No, but. . .

“I don’t want to hear what a white man has to say about ‘A Wrinkle in Time.’ I want to hear what a woman of color, a biracial woman has to say about the film. I want to hear what teenagers think about the film.”

“I’m not saying I hate white dudes, but white dudes need to shut the fuck up.”

I’m sure her handlers have tried explaining to her it’s not smart to disparage the very demographic that makes or breaks superhero movies, and yet Captain Basic Bitch still cannot restrain herself from excoriating white males.

In addition to her comments about white men, movie review site Rotten Tomatoes removed the “Want to See/Don’t Want to See” voting poll for Captain Marvel after its “Want to See” score was voted down to just 27%.

In typical leftwing fashion, they buried their heads even further in the sand and claimed Captain Marvel’s low score was a result of “internet trolling” and “fragile masculinity”. They basically tried to claim the 27% score was illegitimate. I guess if you exclude and ignore the input of people who don’t like the movie, that makes it all go away!

“Rotten Tomatoes says the changes were due to a general “uptick in non-constructive input, sometimes bordering on trolling, which we believe is a disservice to our general readership.”


Rotten Tomatoes has spoken: negative opinions about Captain Marvel and Brie Larson’s annoying feminism are automatically presumed to be in bad faith and not welcome.

Of course they’ll never be able to reckon with the fact that the movie is already reviled because of its decision to push feminist propaganda and because of its star’s transparent hatred for white males (who also happen to be the core audience for the superhero movie genre.)

Finally, Captain Marvel herself Brie Larson is just an unpleasant woman. There’s the stuff she said about white males above, and then there’s also this:

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This chick has some serious issues.

And we haven’t even gotten to her acting. Have you noticed that in almost every shot of the movie, she has the same wooden expression on her face?

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I went through the trailer and took a screenshot of her face in each scene:

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Wait, here’s a smirk!

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Back to normal:

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Even when she’s in her full superpower mode, she’s still dour and wooden:

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You can see pretty clearly why many men have instinctively rejected this movie: Captain Marvel looks like your bitchy ex-girlfriend. She’s a total iceberg.

Men simply react negatively on a visceral level to women with Resting Bitch Face.

With the Avengers series concluding in April after the release of Endgame, Marvel is moving on to the next generation (or “Phase 4” as the studio calls it). Captain America, Iron Man, Thor, Hulk and the original Avengers are passing the torch on and a new group of superheroes will be carrying the Marvel franchise into the 2020s. Captain Marvel is supposed to be the linchpin of Phase 4 of the Marvel Universe, because apparently she’s the most powerful superhero of all. Go figure.

It would really suck if Marvel’s Phase 4 turns into a big leftwing/diversity circle jerk with Captain Feminism as the face of the franchise, but from what we’ve seen of Captain Marvel, that appears to be the case.

The only way we can stop this is by rejecting these movies financially.

We have a patriotic duty to ensure Captain Marvel bombs at the box office so Hollywood learns its lesson: stop fucking ruining movies by turning them into garbage leftwing propaganda pieces.

The entertainment industry needs to start entertaining again. Stop the indoctrination.

The only way they’ll get the message is if we hit them where it hurts: their bottom line.

Money talks. And it seems to be talking already: the original projections for Captain Marvel were $180 million on opening weekend, but that number has been revised lower to about $100 million and possibly as low as $80 million.

Take your money elsewhere this weekend.

Hollywood needs to get the message.

21st Century Jim Crow

The Oscars were on last night. I’m sure none of you watched–I certainly didn’t–but from what I’ve heard the night was one leftwing anti-Trumper delivering #Brave and #Passionate speeches after another.

Spouting stale anti-Trump cliches to a room of Hollywood leftists who all agree with you; yes, that’s the definition of bravery alright.

Because Trump is just soo fascist and oppressive.

But as has been made obvious, the truth in this country is usually the exact opposite of what conventional wisdom holds. Namely, while most people assume minorities are oppressed and demonized, the reality is that it’s white people who are under assault. Conventional wisdom says women are second class citizens, but in reality it’s men who are losing the battle of the sexes.

And while Hollywood actors believe themselves to be brave countercultural rebels putting their lives and careers on the line to courageously speak out against and #Resist a fascist dictator, the reality is that the bravest public declaration and expression one can make today is support of President Trump.

Actors calling Trump and America #Racist is a multibillion dollar industry and often is the inside track to critical acclaim and Academy Awards. There’s nothing brave about it.

True bravery would have been some actor voicing support of the President despite the universal condemnation and booing it would’ve evoked, as well as the subsequent loss in social status and career opportunities.

True courage–truly speaking “truth to power”–is not popular, it’s not well-received, and one generally will not receive any accolades from major institutions or applause from large audiences.

Rule of thumb: if it’s the socially acceptable thing to say, it’s not brave. If there’s no threat of losing your friends or even your job, you’re not brave for saying it.

In America 2019, we have entered Jim Crow 2.0 where Trump supporters are increasingly barred from participating in public life due to their political views:

[I]ncreasingly monopolistic social media companies that have an inordinate amount of control over who gets heard and who doesn’t have started actively targeting conservatives and we just shrug or spout platitudes.

“If you don’t like the way they do it, take on those monopolies with hundreds of millions of users and billions in cash by building your own company.”

So, what happens when banks and credit card companies target people for their political views? Do we need to build our own banks, too?

Activist Laura Loomer, who has already been banned by PayPal, claims she had her account suspended by Chase Bank.

Enrique Tarrio, the black leader of the Proud Boys, a group that has laughably been branded a white supremacist organization by liberals, was also suspended by Chase. So was Martina Markota. And Joe Biggs, who made enough of a stink that Chase reluctantly gave him his account back.


Certainly, there are an awful lot of liberals who would love to see us enter a world [in which banks demanded proof of political correctness before providing services]. In fact, there was a column in the New York Times last year calling for weaponizing the financial industry in exactly this way to shut down the gun industry as part of an effort to deny Americans their Second Amendment rights.

Republicans in the Senate should demand that Chase executives come before them and answer some hard questions about targeting customers for their political views. Maybe we need to rewrite banking regulations to make sure this kind of discrimination can’t occur….

You may have heard someone say, “the Constitution is not a suicide pact.” I would add to that “capitalism is not a suicide pact.” Breaking up monopolies is a conservative idea with a long track record.

This is the preeminent issue of our time outside of immigration.

We are increasingly not allowed to share and spread our views on social media. And now financial services companies and banks are denying us.

Things are increasingly getting to the point in this country where you are not allowed to live a normal life if you’re an outspoken conservative.

This is the New Jim Crow.

And of course Republican politicians–including President Trump–are not willing to do a damn thing about it:

“If conservatives are too complacent and lazy to address the challenges of the 21stcentury, maybe they should step aside for the socialists. They’re not complacent. They don’t sit around saying, “Gee, our people are being mistreated, but it would take work to do something about it and we might offend some powerful business owner if we fight back, so I guess we should let them trample us into the dust.” Conservatives with power need to stop mumbling platitudes about the free market and capitalism while their supporters are being stomped into the ground. They need to defend the real human beings, warts and all, who make it possible for conservatism to exist.

Republican politicians are willing to allow their voters to become second-class citizens in their own country. I don’t really know where else we can turn.

This is why I see no other outcome for the present state of affairs in America than a straight-up Yellow Vest-style popular revolt.